Anyway. Last August I was down in NYC for the Quilters Take Manhattan event, hosted by The Alliance for American Quilts. (side note: Just found out they're doing it again this year, whee!) At the main even, I was sitting with my girl Jonesie (otherwise known as Heather Jones of Olive and Ollie fame) and (be still my heart!) Kate Spain. Kate showed us a copy of a book she'd just gotten, this book from the Cooper-Hewitt from the Sonia Delaunay retrospective they held last year. Delaunay's work is amazingly modern and graphic, and so much of it lends itself to translation into a quilt. I think I actually ordered my copy of the book right then and there from my phone. And as soon as it arrived I started marking pages for different works and designs that I wanted to turn into quilts.
This was the first one I worked on:
And this is my wall-hanging sized quilt, with vertical straight line quilting:
Here's a close-up of the quilting. I did insanely dense quilting over the colored sections, since the original was so sketchy and had lots of white breaking through:
Here was my next pick. This is another gouache on paper, and is less yellowy than this picture:
Here is my quilt interpretation. The dimensions are sort of unusual for a quilt, narrower than normal, because I was following the painting pretty closely. More straight-line quilting too, horizontal this time to echo the horizontal pattern. (More accurately, it is quilted "in the style of straight line," as I am constantly proving that I am completely incapable of actually sewing a straight line.)
Here's the back, with just a little bit of piecing with some leftovers:
Josh would clearly like you all to note his support for and dedication to rock 'n roll. :)
I sleep with this book next to my bed and look at it almost every day. I am mildly obsessed. I have fabric for another quilt, and have started graphing out a fourth. Stay tuned!